The mainstream success he achieved at the end of the 20th century made him a household name, but Cage’s outsized performances in Hollywood fare like “Ghost Rider” and “National Treasure” only cemented his status as someone who brings the wilderness with him wherever he goes. Sure, that says a lot about how radically this outlet expanded its remit as it evolved into a website and weathered the demands of digital publishing, but it says even more about how relevant and exciting Cage has remained across all facets of the American movie business over that span.įrom the explosive highs of his Jerry Bruckheimer joints to the weirdo lows of his debt-mandated DTV mishegoss and the singular arthouse triumphs he continues to make whenever the stars align, Cage has consistently embraced the extremes of his craft in an age defined by corporate synergy and creative fecklessness. Yes, the eccentric “Wild at Heart” star was just a few weeks away from winning an Oscar for his performance in “Leaving Las Vegas,” but his roles had otherwise been trending away from the experimentation that defined the early portion of his career, and towards more conventional multiplex fare like “Guarding Tess” and “It Could Happen to You.” By that point, anyone reading the Hollywood trades already knew that Cage’s next movie would be “The Rock” - if a time-traveler told them that Cage was going to wear John Travolta’s face in a John Woo pistol opera the following summer, odds are they’d say “yeah, that makes sense.”Īnd yet, you’d be hard-pressed to name an actor who’s been mentioned in as many IndieWire stories over the last 25 years. When IndieWire first launched at Sundance in 1996, it probably didn’t seem like an industry newsletter strictly focused on non-studio films would have much reason to write about Nicolas Cage.
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